Uganda witnessed a memorable musical moment last Saturday as hip-hop icon Daniel Kigozi, better known as Navio, staged his orchestral concert at the Kampala Serena Hotel. The event, themed “Sound of Independence,” was not just a performance—it was a cultural statement that reimagined what African music could be.
Billed as the first orchestral hip-hop concert in East and West Africa, the show brought together the 42-piece Kampala Jazz Orchestra and the Aka Dope Band under the joint direction of Navio and Polycarp Kyagulanyi. The result was a seamless blend of classical elegance and urban rhythm, merging symphonic arrangements with Navio’s signature hits in a way that felt both powerful and refreshingly original.
From the opening prayer by Pastor Wilson Bugembe to the vibrant hosting by comedian Patrick Salvador, the night unfolded like a celebration of Ugandan creativity. The stage came alive with emerging talents such as The Homie, Og Stash, Tushi Polo, Lagum the Rapper, and Pryce Teeba, each adding their unique spark to the evening’s energy.

The crowd erupted when surprise acts Levixone and Elijah Kitaka joined Navio on stage, setting the tone for an all-star lineup that included The Mith, Cindy, Fefe Busi, Mun G, KS Alpha, Big Trill, Flex d’Paper, Vampos, Benon, Viboyo, Sheena Skies, Babaluku, and Lyrical G. Their performances reflected unity and mutual respect within Uganda’s vibrant hip-hop community, culminating in a roaring standing ovation.

Behind the scenes, Navcorp and Fenon Events executed flawless lighting, sound, and stage design, turning the Serena auditorium into a world-class concert hall. Every note, spotlight, and visual effect reinforced the grandeur of the night.
Speaking after the show, Navio described the event as more than just entertainment: “This concert was about proving that hip-hop belongs on every stage, even alongside an orchestra. It’s a sound that represents our growth and our future.”
The Navio Orchestra Concert set a new benchmark for live performances in Uganda—fusing art, culture, and innovation to remind audiences that independence isn’t just a date on the calendar; it’s a rhythm that continues to evolve through music.