Comedian Allan Kibuuka, popularly known as Optional Allan, is gearing up for the second edition of his comedy show, “That Mulago Boy.”
Allan’s first show garnered acclaim, leaving his fans eagerly awaiting his second edition.
Scheduled to take place this Friday at the National Theatre’s auditorium, the event promises a night filled with laughter and entertainment.
Matooke Republic had an insightful conversation with Allan, where he candidly discussed his show’s inspiration, evolution, challenges, and future plans.
Can you tell us about the inspiration behind starting your annual comedy show, ‘That Mulago Boy,’ and how it all began?
I was inspired by Mulago itself, the place. People used to associate Mulago only with the hospital or presume that anyone from Mulago is a “muyaaye.” However, I was raised and bred in Mulago, which motivated me to share my experiences.
How do you choose the theme or concept for each year’s show, and what factors influence your decision?
As a comedian, you need to be creative and think beyond. To distinguish from other shows, you select a theme that resonates.
What kind of preparation goes into organizing an annual comedy show, from selecting the venue to planning the lineup of comedians?
The National Theatre is a comedy hub, and securing the venue is a priority. As for the lineup, it depends on who’s available that day. We work as a team with Nineteen Media.
Over the years, how have you seen your annual show evolve and grow in terms of audience size and reception?
This will be the second edition, and the first was successful. We aim for even greater success this time.
How do you handle the pressure of delivering a successful show each year and ensuring that it lives up to audience expectations?
Knowing my target audience reduces the pressure. Working alongside Nineteen Media, we manage expectations collectively.
As a stand-up comedian, how do you keep your material fresh and relevant year after year?
Research and our Monday night “new material” sessions keep our content current and engaging.
Can you share some memorable moments or challenges you’ve faced while organizing and performing at your annual comedy show?
Content-wise, no challenges, but sponsors not delivering as promised affects the financial aspect.
Comedy often touches upon societal issues. How do you navigate potentially sensitive topics while keeping the show entertaining and light-hearted?
We were advised not to delve into sensitive jokes. My situational approach ensures we remain light-hearted.
What impact do you hope your annual comedy show has on your audience, and what do you want them to take away from the experience?
“That Mulago Boy” show aims to resonate with those from the ghetto, reminding them of their resilience (“Nawe Osobola”).
Comedy evolves with cultural shifts. How do you stay attuned to these changes and incorporate them into your comedy?
Anyone can joke about anything, but delivery matters.
What future plans do you have for your show?
I aspire to elevate “That Mulago Boy” into an international and monumental show, exceeding all expectations.
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