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Why Eddy Kenzo is defending his idea of a cemetery for creatives

Matooke Republic by Matooke Republic
January 9, 2026
in Gossip
Reading Time: 2 mins read
Eddy Kenzo.

Eddy Kenzo.

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Ugandan musician Eddy Kenzo has come out to explain comments he made at the vigil of Fik Fameica’s late mother that sparked debate across the creative industry and on social media.

During his remarks at the vigil, Kenzo, who is the interim president of the Uganda National Musicians Federation, suggested the idea of creating a cemetery specifically for creatives. According to him, the proposal was meant to honour deceased artists and preserve their legacy for future generations.

The idea, however, did not sit well with everyone. Critics argued that the creative industry is struggling with more pressing issues, such as welfare, copyright protection and funding, and accused Kenzo of promoting an idea they felt was either unrealistic or poorly timed.

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Following the backlash, Kenzo addressed the criticism, saying his comments had been taken out of context and deserved a more thoughtful discussion.

He explained that artists are public figures whose lives and work continue to attract interest even after death. In his view, bringing celebrated creatives to rest in one designated place would create a cultural landmark.

Kenzo cited legendary musicians such as Herman Basudde, Paul Kafeero and the late Mowzey Radio as examples, saying a site where such icons are buried would naturally attract fans, researchers and tourists interested in Uganda’s creative history.

Under the idea Kenzo described, the cemetery would not be an ordinary burial ground. It would include a museum and guided tours where visitors could learn about the lives, achievements and impact of the artists. He said people would pay to visit the site, and some could even travel from outside the country, turning it into a source of cultural tourism.

Kenzo also rejected claims that the proposal had political motives. He said the discussion should be about long-term value rather than immediate controversies.

According to him, the idea is rooted in preserving legacy, celebrating creativity and encouraging a broader vision for the future of Uganda’s creative industry, rather than politics or personal interests

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